POINTER SISTERS - CONTACT 1985 VINYL LP ALBUM

Description: POINTER SISTERS - CONTACT 1985 VINYL LP ALBUM - RECORD AND SLEEVE CONDITION - EX / EX A1Twist My ArmBass – Nathan EastDrum Machine, Synthesizer – Andy Goldmark, Bruce RobertsGuitar – Howie RiceLead Vocals – Anita*Percussion – Paulinho Da Costa, Terral "Terry" Santiel*Producer [Associate Producers], Arranged By – Andy Goldmark, Bruce Roberts, Howie RiceSynthesizer [Additional Synthesizers] – Howie Rice, Paul FoxWritten-By – Andy Goldmark, Bruce Roberts4:25A2Hey YouBass – Nathan EastDrum Machine [Drum Machine Programmed By], Programmed By [Drum Machine Programmed By] – Pat MastelottoEngineer [Basic Track Engineered By] – Paul Ray (3)Guitar – Steve Farris (2)Keyboards, Synthesizer – Steve GeorgeLead Vocals – Ruth*Producer [Associate Producers], Arranged By – Richard Page, Steve GeorgeStrings [Strings Arranged And Conducted By], Conductor [Strings Arranged And Conducted By] – Paul BuckmasterSynthesizer [Additional Synthesizers] – Howie Rice, Paul Fox, Steve Mitchell*Written-By – John Lang (2), Richard Page, Steve George3:58A3Pound, Pound, PoundBass [Synth Bass], Synthesizer [Synth Bass] – Jeff LorberDrum Machine [Drum Machine Programmed By], Programmed By [Drum Machine Programmed By] – Andy Goldmark, Bruce RobertsElectric Organ [Hammond B-3] – Steve Mitchell*Guitar – Howie RiceHandclaps [Claps] – Howie Rice, Steve Mitchell*Lead Vocals – June*Percussion – Terral "Terry" Santiel*Piano – Jellyroll GoldmarkProducer [Associate Producers], Arranged By – Andy Goldmark, Bruce RobertsSynth – Andy Goldmark, Howie RiceWritten-By – Andy Goldmark, Bruce Roberts4:04A4Back In My ArmsBass – Neil StubenhausDrums, Drum Machine – Pat MastelottoEngineer [Basic Track Engineered By] – Ian EalesGuitar – Michael LandauKeyboards, Synthesizer [Synthesizers] – Steve GeorgeLead Vocals – Ruth*Percussion – Paulinho Da CostaProducer [Associate Producers], Arranged By – Richard Page, Steve GeorgeStrings [Arranged And Conducted By] – Paul BuckmasterSynthesizer [Additional Synthesizers] – Howie Rice, Paul FoxWritten-By – John Lang (2), Pat Mastelotto, Richard Page, Steve George4:39A5Burn Down The NightArranged By – Richard Page, Steve GeorgeDrums, Drum Machine – Pat MastelottoElectric Organ [Hammond B-3] – Steve Mitchell*Engineer [Basic Track Engineered By] – Ian EalesHorns [Horns Arranged By], Arranged By [Horns Arranged By] – Jerry HeyKeyboards, Bass [Synth Bass], Synthesizer [Synth Bass] – Steve GeorgeLead Vocals – Anita*Percussion – Paulinho Da Costa, Terral "Terry" Santiel*Producer [Associate Producer] – Richard PageSampler [Emulator II] – Paul FoxSaxophone – Larry WilliamsTrombone – Bill Reichenbach (2)Trumpet [Trumpets] – Gary Grant, Jerry HeyWritten-By – John Lang (2), Pat Mastelotto, Richard Page, Steve George3:09B1Bodies And SoulsBass – Jennifer CondosDrum Machine [Drum Machine Programmed By], Programmed By [Drum Machine Programmed By] – Harry Stinson, Mark GoldenbergGuitar, Piano – Mark GoldenbergHandclaps [DMX Claps Programmed By], Programmed By [DMX Claps Programmed By] – Steve Mitchell*Lead Vocals – June*Percussion – Debra Dobkin, Harry Stinson, Paulinho Da CostaProducer [Associate Producer], Arranged By – Mark GoldenbergSaxophone [Sax] – Phil KenzieSynthesizer [Synthesizers] – Howie Rice, Mark GoldenbergWritten-By – Mark Goldenberg3:49B2ContactDrum Machine [Drum Machine Programmed By], Programmed By [Drum Machine Programmed By] – Brock Walsh, Robbie NevilEngineer [Basic Track Engineered By] – Ernie SheesleyGuitar – Robbie NevilKeyboards, Synthesizer [Synthesizers] – Tommy FaragherLead Vocals – Ruth*Percussion – Paulinho Da CostaProducer [Associate Producers], Arranged By – Brock Walsh, Robbie NevilSynthesizer [Additional Synthesizers] – Howie Rice, Steve Mitchell*Written-By – Brock Walsh, Robbie Nevil4:21B3Dare MeBass – Welton GiteDrum Machine, Synthesizer [Synthesizers] – Howie Rice, Steve Mitchell*Guitar [Guitars] – Howie Rice, Peter RafelsonKeyboards [Emulator Snare], Snare [Emulator Snare] – Paul FoxLead Vocals – June*Percussion – Paulinho Da CostaWritten-By – Dave Innis*, Sam Lorber4:06B4FreedomDrum Machine [Drum Machine Programmed By], Programmed By [Drum Machine Programmed By] – Howie Rice, Jeff LorberGuitar – Jeff LorberLead Vocals – Anita*Percussion – Paulinho Da CostaSynthesizer [Additional Synthesizers] – Howie Rice, Paul FoxSynthesizer [Mini Moog] – Howie RiceSynthesizer [Synthesizers] – Jeff LorberWritten-By – David McHugh Media Grading MEDIA GRADING IS SUBJECTIVE AND THERE WILL FREQUENTLY BE DIFFERENCES IN OPINION. WE URGE ANY PURCHASERS TO DILLIGENTLY STUDY PHOTOS PROVIDED ON ITEMS, AS WHILE WE OPERATE OF “RETURNS ACCEPTED,” THERE MUST BE CLEAR EVIDENCE OF INCORRECT GRADING AND OF COURSE, NONE OF US WISH TO WASTE EACH OTHERS VALUABLE TIME. Mint (M) Vinyl Absolutely perfect in every way. Certainly, never been played, possibly even still sealed. Should be used sparingly as a grade, if at all. CD Perfect. No scuffs/scratches, unplayed - possibly still sealed. Insert/Inlay/Booklet/Sleeve/Digipak: Perfect. No wear, marks, or any other imperfections - possibly still sealed. Cassette J-Card is crisp, clean, and perfect in every way. Likely sealed. Cassette is brand new, and professionally produced. Used sparingly as a grade, should be free of even the slightest blemishes and/or defects. This grade should be used sparingly, if at all. Near Mint (NM or M-) Vinyl A nearly perfect record. A NM- record has more than likely never been played, and the vinyl will play perfectly, with no imperfections during playback. Many dealers will not give a grade higher than this implying (perhaps correctly) that no record is ever perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as any sign of slight handling. An LP cover should have no creases, folds, seam splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc. CD Near perfect. No obvious signs of use, it may have been played - but it has been handled very carefully. Insert/Inlay/Booklet/Sleeve/Digipak: Near Perfect. No obvious wear, it may have only the slightest of marks from handling. Cassette Sleeve should be crisp and clean with only the slightest evidence of handling. Tape is likely new, free of any wear or damage. Very Good Plus (VG+) Vinyl Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took diligent care of it. Defects should be more of a cosmetic nature, not affecting the actual playback. Record surfaces may show some signs of wear and may have slight scuffs or light scratches that do not affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some slight wear, slightly turned-up corners, or a slight seam split. An LP cover may have slight signs of wear, and may be marred by a cut-out hole, indentation, or cut corner. In general, if not for a couple of minor things wrong with it, this would be Near Mint. CD A few minor scuffs/scratches. This has been played but handled with diligent care - and certainly not abused. Insert/Inlay/Booklet/Sleeve/Digipak: Slight wear, marks, indentations, it may possibly have a cut-out hole (or similar). Cassette Sleeve has slight wear, marks, indentations, and/or may possibly have a cut-out hole (or similar). Tape has been taken particularly diligent care of and may have light marks or spindle wear. Should play cleanly with minimal noise or degradation. Very Good (VG) Vinyl Generally worth 25% of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time. Goldmine price guides with more than one price will list Very Good as the lowest price. CD Quite a few light scuffs/scratches, or several more-pronounced scratches. This has obviously been played, but not handled as carefully as a VG+. Insert/Inlay/Booklet/Sleeve/Digipak: More wear, marks, indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Cassette Sleeve will contain more wear, marks, and/or indentations than a VG+. May have slight fading, a small tear/rip, or some writing. Shell may have heavier marks and wear than VG including plastic discoloration. Should play with some stronger hiss or degradation, but not enough to overpower music. Good (G), Good Plus (G+) Vinyl Generally worth 10-15% of the Near Mint value. A record in Good or Good Plus condition can be played through without skipping. But it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and "ticks" will almost certainly accompany the playback. CD There are a lot of scuffs/scratches. However, it will still play through without problems. This has not been handled with much care at all. Insert/Inlay/Booklet/Sleeve/Digipak: Well worn, marked, more obvious indentations, fading, writing, than a VG - possibly a more significant tear/rip. Cassette Sleeve will be well worn, marked, and contain obvious indentations, fading, and/or writing, more so than a VG grade - possibly a more significant tear/rip. Tape will have heavy wear on shell. Felt stopper may be missing. Tape may have minor creasing, but not broken. Must play through, may have heavier degradation that will overpower music. Poor (P), Fair (F) Vinyl Generally worth 0-5% of the Near Mint price. The record is cracked, badly warped, and will not play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon. Cassette No information offered. A cassette and case that do not meet the “Good” standard described above, should be generally avoided. CD Insert/Inlay/Booklet/Sleeve/Digipak: Very worn. It may have obvious writing on it, it may be ripped/torn, or significantly faded, or water damaged. Sleeve will be torn, heavily stained, showing general heavy damage, or will be partially missing. Likewise, tape will be heavily damaged, showing complete fading on the face, crinkled tape, missing screws or teeth, staining, and other heavy wear. Cassette will more than likely not play through. Standard Jewel Cases: Standard Jewel Cases are not graded as they are replaceable. The CD (if it is included) may or may not play some or all of the tracks. See the seller's comments for details. Generic Within the context of grading items in the Discogs Marketplace, the term "generic" refers to a type of sleeve that is not specific to the release. A generic sleeve is either a plain sleeve or a company sleeve with standard company artwork. A sleeve that is graded as "generic" needs no further grading, as a generic sleeve generally adds little value to the item and can be easily replaced. Sellers can further specify a generic sleeve's condition in the “Item condition comment” field if needed. A seller can also note if the sleeve is a company sleeve in the “Item condition comment” field.

Price: 6.99 GBP

Location: Cwmbran

End Time: 2024-11-15T22:27:26.000Z

Shipping Cost: 20.64 GBP