DEBBIE GIBSON, Out Of The Blue [with hype] USA 1st pressing Excellent- LP

Description: Debbie Gibson – Out Of The Blue Label:Atlantic – 7 81780-1, Atlantic – 81780-1 Format: Vinyl, LP, Album, Stereo, SP Country:US Released:1987 Genre:Electronic, Pop Style:Synth-pop A1Out Of The Blue Acoustic Guitar – Ira Siegel Backing Vocals – Carrie Johnson, LaRita Gaskins*, Libby Johnson Keyboards – Fred Zarr Lead Vocals, Drum Programming [Rhythm Programs], Keyboards, Synthesizer, Backing Vocals – Deborah Gibson* Percussion – Bashiri Johnson 3:55 A2Staying Together Backing Vocals – Carrie Johnson, LaRita Gaskins*, Libby Johnson Drum Programming [Rhythm Programs], Keyboards, Synthesizer – Fred Zarr Guitar – Ira Siegel Lead Vocals – Deborah Gibson* Percussion – Bashiri Johnson Saxophone – Jeff Smith 4:07 A3Only In My Dreams Backing Vocals – LaRita Gaskins*, Norma Jean (Wright)* Bass – Gary Down Drum Programming [Rhythm Programs], Keyboards, Synthesizer – Fred Zarr Guitar – Ira Siegel Lead Vocals, Backing Vocals – Deborah Gibson* Percussion – Bashiri Johnson Saxophone – Jeff Smith Tom Tom [Overdubs] – Billy Amendola 3:54 A4Foolish Beat Acoustic Guitar, Electric Guitar – Ira Siegel Backing Vocals – Carrie Johnson, Tim Lawless Drum Programming [Rhythm Programs], Keyboards, Synthesizer – Fred Zarr Lead Vocals, Backing Vocals – Deborah Gibson* Percussion – Bashiri Johnson Saxophone – Jeff Smith 4:25 A5Red Hot Backing Vocals – Connie Harvey, Janet Wright, Wendell Morrison Keyboards [Overdubs] – David "Jaz" Grant* Lead Vocals, Backing Vocals – Deborah Gibson* Percussion [Overdubs] – Jimmy Maelen Programmed By, Sequenced By – John Morales Saxophone [Overdubs] – Jeff Smith 3:54 B1Wake Up To Love Backing Vocals – Carrie Johnson, LaRita Gaskins*, Libby Johnson Drum Programming [Rhythm Programs], Keyboards, Synthesizer – Fred Zarr Lead Vocals, Backing Vocals – Deborah Gibson* Percussion – Bashiri Johnson Saxophone – Jeff Smith 3:42 B2Shake Your Love Backing Vocals – Carrie Johnson, Jeff Smith, Libby Johnson Drum Programming [Rhythm Programs], Keyboards, Synthesizer – Fred Zarr Guitar – David Grant Lead Vocals, Backing Vocals – Deborah Gibson* Percussion – Bashiri Johnson 3:44 B3Fallen Angel Backing Vocals – Carrie Johnson, Jeff Smith, Libby Johnson Drum Programming [Rhythm Programs], Keyboards, Synthesizer – Fred Zarr Guitar – David Grant Lead Vocals, Backing Vocals – Deborah Gibson* Percussion – Bashiri Johnson 3:43 B4Play The Field Backing Vocals [Help On] – Haydee*, Lisa Martinelli Drum Programming [Rhythm Programs], Keyboards, Backing Vocals – L.A. Martineé* Guitar – Nestor Gomez Keyboards – Mike Baskt* Lead Vocals, Backing Vocals – Deborah Gibson* 4:37 B5Between The Lines Backing Vocals – Connie Harvey, Janet Wright, Wendell Morrison Keyboards [Overdubs] – David "Jaz" Grant* Lead Vocals, Keyboards – Deborah Gibson* Percussion [Overdubs] – Jimmy Maelen Programmed By, Sequenced By – John Morales Saxophone [Overdubs] – Jeff Smith 4:42 Record Company – Atlantic Phonographic Copyright ℗ – Atlantic Records Phonographic Copyright ℗ – Atlantic Recording Corporation Copyright © – Atlantic Recording Corporation Phonographic Copyright ℗ – WEA International Inc. Published By – Creative Bloc Music Ltd. Published By – Deborah Ann's Music Manufactured By – Atlantic Recording Corporation Record Company – Warner Communications Produced For – BiZarr Music Inc. Produced For – M & M Productions Produced For – Pentara Productions, Inc. Recorded At – Z Studios, New York Recorded At – Quad Recording Studios Recorded At – International Sound Studios Mixed At – Sorcerer Sound Mixed At – Right Track Recording Mixed At – Quad Recording Studios Mixed At – International Sound Studios Mastered At – Masterdisk Pressed By – Specialty Records Corporation Arranged By – Gibson* (tracks: A, B1-B3), Zarr* (tracks: A1-A4, B1-B3), Morales* (tracks: A5), Lewis A. Martineé (tracks: B4) Engineer – Bernard Bullock (tracks: A1-A4, B1-B3), Don Feinberg (tracks: A1-A4, B1-B3), Phil Castellano (tracks: A1-A4, B1-B3) Engineer [Assistant] – Billy Esses* (tracks: A1-A4, B1-B3), Carlos Santos (tracks: B4) Engineer [Mix] – John Morales (tracks: A5, B5) Executive-Producer – Broadbeard Productions, Inc., Douglas Breitbart Mastered By – Howie Weinberg Mixed By – Deborah Gibson* (tracks: A4), Doc Dougherty (tracks: A3), Fred Zarr (tracks: A1-A2, B1-B3), "Little" Louie Vega* (tracks: A3), Michael Hutchinson (tracks: A2, B1), Phil Castellano (tracks: A1, A4, B2-B3) Mixed By [Assistant] – Jim Goatley (tracks: A1, A2, A4, B1 to B3) Producer – Gibson* (tracks: A1, A2, B1), Deborah Gibson* (tracks: A4), Zarr* (tracks: A1, A2, B1), Fred Zarr (tracks: A3, B2, B3), John Morales & Sergio Munzibai (tracks: A5, B5), Lewis A. Martineé (tracks: B4) Songwriter – Debbie Gibson USA FIRST PRESSING VINYL ALBUM WITH ORIGINAL PRINTED INNER SLEEVE. SLEEVE: EXCELLENT MINUS, STILL IN OPEN SHRINK WRAP WITH HYPE STICKER AND ORIGINAL STORE PRICE STICKER. INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS. DISC: EXCELLENT. NO MARKS OR SCRATCHES. CLEAN LABELS. Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music. 1. USA IS $6.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME. 2. INTERNATIONAL BY EBAY.

Price: 24.99 USD

Location: Athens, Georgia

End Time: 2025-02-01T22:37:47.000Z

Shipping Cost: 6.99 USD